Search results for "singing performance"

Embodied Experience and Communicative Intentions of the Singing Performer

2009

Theories of Embodied Cognition assert that simulation mechanisms underlie inter-subjective communication. On this basis we posit that by solely assessing only visual component of a performance, a naïve audience could make similar judgments to those ones elicited by audiovisual or aural perception. Five vocal performances by performers of different levels of expertise were assessed using various of perception (audiovisual, visual and aural perception) by 90 musically uneducated subjects randomly assigned to a specific modality. Subject’s task consisted of pronounce an aesthetical judgment of the performances using an 11-point scale. Results assessed by ANOVA test of repeated measures showed …